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Topics - Beauty/Broken

Pages: 1 2
1
Heath / Did Toshi attend Heath's memorial?
« on: November 28, 2023, 08:07:43 PM »
I've been reading and viewing photographs from Heath's public memorial.

It looked very beautiful and poignant.

I noted that Sugizo, Yoshiki and Pata attended together, spoke,  and had a group photograph taken alongside Heath's memorial...

But there was no sign of Toshi.

I know that Toshi has wrote about the subject on his blog and posted a cover of Eagle Sniper, but it seems quite worrying that he wasn't willing to attend the public memorial - even separately from Yoshiki. He managed to put aside his differences with Yoshiki to attend Hide's memorial after the first break up, so I wonder...

Reading the opinions of Japanese fans, some are pouring scorn on Yoshiki for 'doing a Yoshiki' at the memorial and taking the limelight, others are angry at Toshi for not leaving flowers. It seems very charged; a few examples from Twitter:

"Today was about Yoshiki and his henchmen. Toshi seems like a cool guy. I would prefer to remember Heath alone with him."

"It seems like Yoshiki and Toshi cannot be repaired, but why no flowers for Heath, Toshi?"

"At times like these, it is considerate to the deceased who wanted harmony in the band, and leave a flower tribute that says 'ToshI'. Are you trash?"

2
hide / 16 Years
« on: May 02, 2014, 08:35:30 AM »
So, I doubt it has escaped any X Fans that today marks 16 years since we lost hide.

Is anyone planning anything today to remember him?

For me, it usually serves as a good excuse to dust off his albums and give his discography a spin. I don't listen to Hide's music very often these days as I'm always trying to listen to new stuff, so it's always nice to step back in after some time away, rediscover his albums and fall in love again with some of the more obscure, hidden little peculiarities on his CDs.

By chance, I'm going out drinking tonight with old friends too - so maybe I'll drink something fitting like his favourite, bourbon - although, admittedly, I've never really been a fan of spirits anyway.

3
X JAPAN World Tour / X Japan at MSG 10.11.2014
« on: April 29, 2014, 11:07:36 AM »
So, it has just been announced that X Japan are playing Madison Square Garden on 10.11.2014

http://www.yoshiki.net/mobile/

http://www.yoshiki.net/mobile/xjapaninfo.html

Does anyone feel like it's 2008 all over again?

It seems very strange given the small capacity venues they played during their last North American Tour in 2010, and the fact that there were a lot of shows with empty seats. Add to that the fact that X Japan haven't released anything since then, and their American population hasn't really budged since that tour - it just seems ridiculously deluded to book such a huge show.

Maybe Yoshiki thinks fans will travel from all over the world for it - maybe some will. I know I wont!  ;D


4
Yoshiki / Yoshiki Biography Tidbits
« on: June 10, 2011, 07:54:50 PM »
I know a lot of the forum haven't read this yet, and would like to, given that it is full of juicy and previously untold/unknown information from the history of X and Yoshiki. As such I'm going to post a couple of the more interesting things (or at least things which I found to be interesting) for you all to read. I'm not going to go into massive detail on each factoid, but just enough to get the point across. There is much I have yet to cover, but for now this is a start:

X Major Debut – Taiji being  fired  1988 - 1992

Yoshiki wrote much of “Art of life” whilst recovering from injuries he sustained on a tour supporting “Blue Blood”

Jealousy was intended to be a double album, and feature much more music and end with “Art of Life”, but the record label deadline meant that the recording had to be hurried up and the album put together and released unfinished. Yoshiki was angry that the album was not to his standards and refused to go to Japan for the press launch and locked himself in his LA apartment. Record label staff had to break down his door and force him to return to Japan, and eventually granted him 24 hours to re-record vocal parts he was not happy with.

Taiji being fired was eventually brought about by Hide. He told Yoshiki “not one more day can I work with Taiji”. Yoshiki claims to have attempted to keep the band together but eventually found Taiji’s “difficult and reckless behaviour” too much, and fired him.

Renaming to X Japan - The Breakup  1993 - 1997

Yoshiki recorded Art of Life mostly on his own, because the other members were busy with solo work. He had to fight with medical opinion and pay a large sum to have the MRI photo of his skull taken for the Art of Life cover image, as every hospital he went to refused to do the MRI scan when he had no health issue, as the radiation blast required is potentially detrimental to health.

Tension in the band started in 1993 when Toshi took part in the Hamlet rock opera. Hide reacted angrily and demanded that Toshi not take part and that Yoshiki force him to break his participation, thinking that Toshi was making the band look stupid. Yoshiki refused to tell Toshi what to do and he and Hide became on bad terms for a while

After partaking in Hamlet Toshi met his future wife, Kaori, who began to influence his life. Toshi would act different around the band, sometimes not even speaking to the other members at all before shows and spending a lot of his time in his own private dressing room.
The band would only meet up with each other to partake in recording sessions, promotion material or concerts. Yoshiki and Hide had a large argument where Yoshiki claimed that Hide was more interested in his solo work than with X, and if he cared about X he would stop prioritising his solo material. He also had similar arguments with Toshi.

When Toshi quit the band Yoshiki agreed immediately, feeling that Toshi’s mind could not be changed. He forced Toshi to explain his decision to the rest of the band, who Yoshiki summoned to LA for a meeting. Pata and Heath were calm and asked few questions, but Hide was angry and volatile, and argued long with Toshi over the decision.

Before The Last Live Hide locked Toshi in a room for 3 hours and again attempted to change his mind over leaving, but emerged angrily at the end declaring “To hell with him” after failing to be successful.

Death of Hide

Yoshiki received the news from his American secretary whilst driving to the recording studio to begin the evening recording. He believed it to be a sick joke and did not accept it until he received confirmation from X Japan’s manager.

Hide and Yoshiki had spoken less than a month before on the phone where Hide seemed happy and care-free, and Yoshiki complimented Hide on the recording of Ja Zoo.

Hide was very committed to starting the second X, but did not want to wait for the year 2000 to arrive so kept himself overly busy. He compiled detailed reports on other singers for Yoshiki to look into hiring.

Hide had been on his computer on the internet replying to fan messages on his website minutes before he died. His computer was left on and his website still open when he was found hung.

Hide had plans to build a new house with a recording studio in the basement approved by the local authorities in Tokyo and had bought a plot of land several weeks before his death.

Rebirth of X Japan 2007 – Present

Yoshiki found the work on “REPO! The Genetic Opera” very difficult and had many arguments with Producer Mark Berg, who he found to be annoying and constantly interfering with his work. At one point Yoshiki erupted angrily and shouted “One more word from you and I will fire you”, to which Mark Berg replied “Under your contract you work for me, you cannot fire me”. Yoshiki then retorted “I will fire you nonetheless”.

Yoshiki wrote 2 songs for S.K.I.N that were not played in LA due to lack of time. "Killing you softly" was written by Sugizo. Gackt wrote "Gei-sha"

Toshi called Yoshiki’s studio spontaneously after 8 years of the two having not spoken a word. It was such a shock that when Yoshiki’s assistant told him Toshi was calling him, Yoshiki replied “Who is Toshi? Which Toshi? Do I know this person?” thinking it may have been someone else.

Toshi asked Yoshiki to reunite X Japan several times after they agreed to meet but Yoshiki refused each time. Then, Toshi wrote on his blog and website that he and Yoshiki had met at Yoshiki’s studio and that “their new project would start soon” despite this having not been agreed. Yoshiki felt the pressure of the media and the fans who were speculating on X Japan’s reunion and thought about it long and hard before agreeing and contacting Heath and Pata.

I.V. was written in two weeks, the demo being produced in a hastily arranged recording session in Tokyo over 3 days. Yoshiki wrote 24 songs over the two weeks after being asked to put forward a song for the film Saw I.V. and in the end chose I.V. The chorus line “Can’t you see me standing right here?” is a deliberate reference to Kurenai, and is an English translation of one of its lyrics. Out of 200 songs which were put forward to be the ending theme of the film I.V. was selected.

The I.V. music video cost 350 thousand dollars.

Yoshiki fainting during the first Tokyo Dome concert of 2008 was apparently real. He claims he did not sleep for two days before, and a Tokyo Dome concert could not run longer than at 9:30 by curfew laws. The time was past 10pm and the Dome staff were threatening to switch off the electricity and the pressure and fatigue caught up with Yoshiki causing him to collapse.

5
Offtopic / About Ann1958
« on: May 26, 2011, 10:02:00 PM »
It has came to my attention via Facebook that Ann1958, a forum member and regular poster here, passed away yesterday. She was suffering from lung cancer for quite some time but did not make this fact public.

I don't know what else to say, I'm so shocked and upset by this. I had no idea she was ill, I don't think anyone did - yet she was brave and kind to the end.

I will miss her presence online, and was looking forward to seeing her at the X Japan European concerts.

RIP, Ann.

6
News / New X Japan song in Pre-production
« on: March 31, 2011, 11:01:50 AM »
From Sugizo's latest blog post:

Today was again filled with tight schedules.

I was intent upon sound production in my studio.

First, the pre-production of X JAPAN

for the new song of the next album.


The fact he's talking about pre-production means that it's a song we haven't heard before, given that we have heard samples from near completed demos for every other new song. Yoshiki also talked about another music video shoot in his recent interview with MTV, but I think this may be in relation to Scarlet Love Song.

7
Toshi / Yoshiki: Toshi was Brainwashed
« on: September 30, 2010, 04:36:09 PM »
Yoshiki: After all those years of drama that we went through – breaking up the band and then some brainwashed things and then the injury.

Who or what else apart from Toshi could he be alluding to?

Here's the interview: http://www.jerseybeat.com/xjapan.html

8
General chat / New PV's Online
« on: September 29, 2010, 05:58:06 PM »
I assume these are the Sankyo DVD versions. Here's Rusty Nail, I.V. and Jade in Hi-Def.

http://www.youtube.com/user/SexyMagic48

9
hide / Headwax VS Sankyo and JMA Case Dropped
« on: September 21, 2010, 01:13:50 PM »
I dunno if this has been posted elsewhere, but I felt inclined to look into what was happening with this.

According to a Sanspo article which I've managed to come across it seems to indicate that when the case was put before a judge it was deemed as having insufficient grounds to be taken forward, and as such Headwax have been forced to drop their case.

If correct I'm not sure what this means for Headwax's future.

10
General chat / Another new song?
« on: September 14, 2010, 12:13:25 PM »
From Sugizo's September 10th Blog:

But before that, X JAPAN’s North American tour is waiting at the end of this month.
We mostly finished recording our new song
after I came back from Hong Kong and before I headed to London.
We’re still dragged down by all sorts of problems,
but I really feel like we’re also ascending higher.
I look forward to giving my all to X JAPAN until our tour is done,
and I think it’s a wonderful thing to be able to share the energy of all our fans in North America.
It's really exciting just to imagine what sort of moving experiences are waiting for us this time.


So yeah, another new song? I'm not sure if this is a good thing or a bad thing. X Japan's recording schedule seems a little scatter-brained.

12
X JAPAN World Tour / Full Lolla Press Round-up
« on: August 10, 2010, 04:20:39 PM »
I started this in the Lolla thread and have added to it every time I've found or seen new articles, but I think it probably deserves it's own thread. Be sure to post up any press which I've missed!

If you don't feel inclined to read the press for yourself, the overall general opinion is that X Japan were an entertaining addition to the lineup which added some much needed rock to the festival. There are several glowing reviews within, as well as several full articles. There are also several indifferent reviews and also some very negative opinions - but the general consensus, however, is overwhelmingly positive.

Time Out Chicago thought X Japan were the highlight of the festival and wrote a full article on them:

Dear Perry Farrell, thank you for no-wait Port-A-Potty lines, the Columbus Dr. walkway and the artery-clogging (Kuma’s) Judas Priest cranberry/walnut/bacon/bleu cheese party in my mouth…but thank you most of all for X Japan. Engineering the first stateside import of Japan’s (mostly) quadragenarian metal monsters was the coup of the festival, and as expected, faces were in fact melted

http://www3.timeoutny.com/chicago/blog/out-and-about/2010/08/x-japan-at-lollapalooza-2010-live-review-and-photo-gallery/


USA Today were impressed with what they saw

X Japan's decades-in-the-making U.S. concert debut evoked a lusty reception Sunday. The group, formed by drummer Yoshiki Hayashi and singer Toshi Deyama in 1982, became Japan's biggest band, selling 30 million albums, DVDs and singles. Members broke up for a decade in 1997 but have reunited. Their afternoon set evoked aspects of Lady Gaga's set on the same stage Friday night. The metal-pop-punk was fast and ferocious, and the costumes were striking. Yoshiki, in a white neck brace, was bare-chested under a burgundy robe and wore blue vinyl pants and guyliner. Toshi's black helmet hair and shades evoked late Elvis, and his black leather garb was vintage '80s metal-band gear. Singing in English, Toshi wailed into the stratosphere on Jade and showed a pretty, tender tenor on a soft ballad. Flames and sparks belched periodically as Yoshiki stoked the spectacle with Keith-Moon-on-Red-Bull drumming from atop a riser. Japanese-sung anthems succeeded just as well, as this band is more about sonics and style than lyrical introspection. The rest of the quintet laid down a thunderous yet polished platform.

http://www.usatoday.com/life/music/news/2010-08-09-lollapalooza09_ST_N.htm


A luke-warm and quite sardonic review by The Chicago Tribune:

Everything about Japan X (above), making its stateside debut in front of a smallish audience split between die-hards (those people holding aloft stuffed dolls in the bands' likeness and crossing their arms above their heads while chanting, “X, X, X, X!”) and curiosity seekers, is cartoonishly over-the-top. The long-running Japanese crew makes a comically slow entrance to the stage as epic choral music pumps through the speakers. “Are you ready to rock?” screams singer Toshi Deyama, his voice absent any trace of irony. “We are!” Dressed like glammed-out extras from “The Warriors,” the group combines piano-driven power ballads (the band's glass-and-stainless-steel piano, which takes center stage on “Endless Rain,” looks like something Axl Rose might have sprung for at the height of Guns N' Roses' consumption) and thrashier, guitar heavy numbers like “Jade,” which more often than not are accompanied by towers of flame blasting up from the stage. With a style that combines the theatricality of a Broadway production with cheesy-yet-earnest prog/hair metal, it often sounds as though the Sunset Strip of 1987 has been temporarily airlifted to the band's hometown of Chiba, Japan.

http://leisureblogs.chicagotribune.com/turn_it_up/2010/08/lollapalooza-2010-reviews-from-day-3.html


Examiner.com were entertained by X Japan, if not for the wrong reasons:

Japanese metal band X Japan was entertaining, if only to hear the singer shrieking wildly for 45 minutes. When you’re used to hearing metal singers with gruff, growling voices like Metallica and Pantera, it’s hard to get used to a metal singer whose voice screeches higher than Lady Gaga’s.

http://www.examiner.com/x-27067-Chicago-Live-Music-Examiner~y2010m8d9-Lollapalooza-Sunday-Review-Arcade-Fire-MGMT-Frightened-Rabbit-deliver-on-festivals-final-day



Myspace, however, loved X Japan:

A yelping shriek accompanied the rumbling bass that greeted us at the south end of the park. It became evident that progressive Japanese heavy metal crew, X Japan, had taken the stage. X Japan are like no band you have, or will ever see again. The grandness of their slaying is not to be understood, or matched. With grand orchestral arrangements, that could have come from a Journey B-side, knife-stabbing metal riffs and an overall level of madness that any other band would have trouble replicating, lead singer Toshimitsu “Toshi” Devama sang about loneliness (“Amethyst”) and self-reflection (“Art of Life”) behind the loudest noise-hydrant to ever accompany such topics.  Truly, words cannot describe.

Read more: http://www.myspace.com/music/blog/2010/8/8/lollapalooza-day-three-highlights#ixzz0w6e1uIYD


Faronheit.com gave a generally favorable response:

One of my biggest challenges headed into Sunday was whether to see Yeasayer or X Japan. X Japan has been around for decades but has never played a show in the U.S. before. As I’ve seen Yeasayer a couple times already, I chose the unfamiliar act. Their set wasn’t very crowded, but especially at the front, hardcore X Japan fans really openly displayed their love for the band by dressing in costume, or just flying in from Japan where they’re a national treasure. Now I got a little snarky on Twitter about the band’s performance, but honestly it was very entertaining. That’s about all I was looking for, and they delivered, complete with overblown leather outfits, a gong, and pyrotechnics. They’re everything a stadium rock band could ask for, playing to a crowd of a few hundred. Their takeover of North America may not be as easy as they’re hoping it will be, but should they land some success, at least they’ll have the great show to back it up.

http://faronheit.com/2010/08/lollapalooza-2010-day-3-quick-recap/


The Chicago Sun-Times thought X Japan were a complete success and wrote a whole article dedicated to X.

The other night, referring to the small crowd for the Strokes and the triumph of Lady Gaga, I quipped that rock is dead. I stand corrected.

Making its U.S. debut -- after forming in 1982 and re-forming in 2007, with massive popularity in its home country -- X Japan took to the Lollapalooza main stage Sunday afternoon and delivered a spectacular, almost operatic performance of big ballads and speed metal.

http://blogs.suntimes.com/music/2010/08/lollapalooza_x_japan_makes_us.html


Metromix Chicago, however, were most unenthusiastic towards X Japan, describing them as dated and sporting weak material

Are you ready to rock? Are you ready to ROCK? Are you ready to rock? Are you ready to ROCK? Yep, X Japan singer Toshi asked the crowd this no fewer than four times, by which point the answer should long be self-evident. X Japan, absolutely massive in its home country to the tune of more than 30 million albums sold, surely was ready to rock us: Sunday's Lolla set was the group's first U.S. performance ever, and X Japan formed in 1982. Too bad they still sound like 1982, without any fresh ideas or killer hooks preventing them from merely coming off like a few parts Motley Crue and a few parts Metallica, with Sebastian Bach singing. The band can definitely play loud and fast in between the on-stage pyrotechnics. Not the same as having strong material.

http://chicago.metromix.com/music/article/lolla-10-sunday-reviews/2107835/content


MTV Briefly mentions X Japan's performance in their round-up article of Sunday's performance

Soundgarden capped off a busy Sunday at Lollapalooza, which saw schizophrenic jumps from the over-the-top theatrics of X Japan to the grooviness of Erykah Badu

http://www.mtv.com/news/articles/1645346/20100809/soundgarden.jhtml


Cleveland Scene found X Japan to be most underwhelming

Playing its first stateside show ever, Japan’s X Japan didn’t fare so well. Rooted in ’80s metal, the band played power ballad after power ballad and definitely benefited from the novelty factor. If these guys hadn’t been Asian, their show would have been of little interest.

http://www.clevescene.com/c-notes/archives/2010/08/09/road-trip-concert-review-lollapalooza-day-3


Spin.com regards X Japan as a highlight of the festival:

Best Ergonomic Solution for Killer Drum Fills: X Japan
Among all the big-ticket reunions that festivals bank on, one of the biggest featured a band most Lollapalooza attendees had likely never heard of before Sunday. Prog-metal giants X Japan -- no relation to Exene Cervenka, John Doe et. al -- sold millions of records at home before breaking up in 1997. (Their flamboyant guitarist hanged himself under mysterious circumstances in 1998.) But the band had never played America. A reconstituted version rectified that yesterday looking like anime characters dropped into a 1987 Manowar video. There was pyro, sure, but the most lasting impression was left by multi-tasking drummer Yoshiki, who pounded away at his kit -- and, more lovingly, at a white baby grand for the ballads -- all while wearing a thick neck brace, kinda like Joan Cusack in Sixteen Candles. The Japanese Tommy Lee quickly became the hero of the day and was last spotted driving a boat on Lake Michigan -- with his dick.

http://www.spin.com/articles/best-moments-lollapalooza-final-day


Spin.com again briefly mentions X Japan whilst lauding Soundgarden's return

The set didn't feature much in the way of bells and whistles -- Green Day and X Japan must have raided their supply -- but they are their own special effect.

http://www.spin.com/articles/soundgardens-lolla-return-captures-moment


Chicago Mag.com gave X Japan a thumbs up, of sorts

Best fan watching: Androgyny, guitar fury, flames and explosions from X Japan, a Japanese hair metal supergroup that was making its American debut. They were not the tightest band we saw in the technical sense, but their flag-toting Japanese fans definitely made their Sunday afternoon set the best occasion for people watching.

http://www.chicagomag.com/Chicago-Magazine/The-312/August-2010/Best-of-Lollapalooza-2010/


Chartattack.com also briefly mentions X

The sixth annual version of the three-day fest, located in Chicago's beautiful Grant Park, had its typically big name attractions: the reunion of '90s rock icons Soundgarden; the Vegas-sized spectacle of Lady Gaga and Green Day; the return to U.S. stages of rock revolutionaries The Strokes; the North American premiere of Asian metal superstars X-Japan;

http://www.chartattack.com/reviews/2010/aug/09/lollapalooza-2010-canadians-rule-and-soundgarden-plod-along


AVClub.Com appeared to enjoy the occasion:

X Japan’s first U.S. show—the group is massively huge in its native country—was a fantastic curiosity, from the first moments of epic choral music that preceded the band’s entrance to the wailing vibrato of lead singer Toshi Deyama and beast of a drummer Yoshiki Hayashi to the intense pyro that lit up the afternoon stage. For the uninitiated, the set was all over the place, as hair-metal/glam-rock should be, really. One moment Toshi was issuing blood-curdling screams alongside thrashing guitars, and the next, his voice was operatic and sailing over the field. The group drew a tight band of superfans up front, who were equipped with X memorabilia and schooled in the art of coordinated jumping, fist-pumping, and when exactly they should all shout and make the X symbol. (It was somewhat unpredictable.) Toshi’s stage banter pulled from a set of clichés like “Are you ready to rock?” and “Are you hot?” But put anything in crazy black-leather costume and throw on a Japanese accent, and it’s charming as hell.

http://www.avclub.com/chicago/articles/lollapalooza-2010-its-all-about-the-spectacle,43944/3/


Gapers Block found X Japan to be a curiosity

X Japan was a sight I had to see. Not knowing much from the outset other than that they are crazy popular in Japan and around the world and they looked like a Japanese glam band, I expected a spectacle. What I got was screamo emo, metal, and orchestral power rock. A mixed bag to say the least, but there is something to this group that has been an influence since 1988, selling over 20 million records across the globe. The group called it quits in 1997 and this rare American appearance was part of their reunion tour.

http://gapersblock.com/transmission/2010/08/09/lollapalooza_sunday/


The Phoenix New Times couldn't even get the band name yet in their brief, dismissive review:

There were people in odd Japanese costumes waiting for Japan X, who opened a 4 p.m. set with a surprising (for me, at least) amount of pyrotechnics, but it seemed like a bit of a slog until the sub-headliners hit the stage.

http://blogs.phoenixnewtimes.com/uponsun/2010/08/lollapalooza_2010_everything_t.php


Windy City Rock also found X Japan to be an interesting proposition:

It's safe to say there has never been another act quite like X Japan at Lollapalooza. The band is indeed Japanese and perform an over the top combination of power metal and progressive rock. They're known for donning wild, manga-inspired costumes during performances, though Sunday afternoon their visuals leaned toward heavy metal gothic, with black leather, skulls and crosses. Their soaring, epic heavy metal anthems aren't something I'd generally gravitate toward, but there was something endearing about the band and their outrageous show. Maybe it was the fact that, despite existing as a unit since the '80s, it was the first time performing in the States and it was cool to see them getting good energy from the crowd. Or maybe it was the fire blasts that popped up on stage near the end of the set. Who knows, but it was all kind of cool.

http://www.windycityrock.net/2010/08/lollapalooza-2010-day-three-x-japan.html


Three letters that which would better describe Eat Sleep Drink Music's brief review are 'WTF':

X Japan was full of psychotic Japanese fans and very confused Americans. The band was over-the-top crazy and louder than fuck.

http://www.esdmusic.com/2010/08/09/lollapalooza-2010-recap-sunday-sunday-here-again-a-walk-in-the-park/


In Music were full of praise for X Japan, regarding them as being a notable highlight of the festival:

The second band worth noting were metal veterans X Japan, hailing from none other than the land of the rising sun. Kicking off their set with an explosion of pyrotechnics, thundering double kick drums, and screaming vocals straight out of 1986, X Japan wasted no time in showing their hand. Their hour-long set was a tour de force in instrumentation and crowd-riling antics. Broken English didn't stop lead singer Toshimitsu Deyama from whipping the heavy metal hordes before him into a frenzied state. By the end of the set, there wasn't a person left in the crowd who wasn't waiving arms crossed in an "x" above their head to cheer the group on.

http://eatthis.inmusic.ca/2010/08/lollapalooza-wrap-up.html


Rhapsody.com were entertained, if not bemused, by X Japan

Bitchin' doesn't come close to doing justice to whatever it was X Japan's set was all about. This crew of veteran rockers from Japan are a cross between Judas Priest and David Bowie in Labyrinth. Truth be told I'd never heard of them before they took the main stage and spent 45 minutes slaying an imaginary metal dragon. Now I will never forget.

http://blog.rhapsody.com/2010/08/lolla3g.html


To say that Up Chicago were impressed with X Japan would be huge understatement:

WE ARE? X! WE ARE? X! YOU ARE? X! YOU ARE? X!

Well, I sure as hell am now. Never, ever ever ever, has a band made me their new biggest die-hard fan so quickly. When I was bitching Monday night about the lack of what felt like, for me, a true headliner, Perry Farrell more than made up for it by tossing in an extra one on Sunday afternoon. X Japan’s massive set was only trumped by their massive sound; they drowned out everything, from other bands to conversation, across the entire south end of the park. You might be thinking to yourself, “Who the hell is X Japan?” So was I before the set. Apparently these guys are metal giants with a career stretching back to the mid-80s who have just reunited and, get this, played their first show on American soil Sunday at Lollapalooza. They sure as hell didn’t seem nervous. A flurry of orchestral noise in their intro was quickly obliterated by a stunning Motorhead-style guitar assault, complete with giant cones of flame erupting on stage. The band channeled everything from Journey to Metallica to Guns n’ Roses, complete with over the top piano solos and distorted violin breakdowns.  On top of that, these guys clearly had their amps set to 11. By far the loudest band I have ever heard at Lollapalooza, or anywhere else for that matter. One of the shows coolest moments involved drummer Yoshiki playing the piano while a pre-recorded guitar solo accompanied him. What makes pre-recorded guitar cool? The guitar part was laid down by deceased former X Japan guitar player Hideto Matsumoto. The show ended on a song that dipped in and out of epic “November Rain-style ballad and full on metal firestorm.” The crowd ate it up, fist pumping crossed arms and declaring they too were X.

http://blog.rhapsody.com/2010/08/lolla3g.html


Loud Loop Press were also full of kind words for X Japan's American debut:

The phrase “They’re huge in Japan” is sort of a running joke among American musicians, but X Japan live it literally. The Japanese heavy metal outfit was originally founded in 1982, but later broke up in 1997 only to reunite ten years later, are huge in Japan. How huge? They can pretty much sell out any arena any time they want. However, the band never made the leap to American audiences. Their brand of symphonic metal is more for niche audiences in the states and never had broken through into the mainstream. But as this Sun-Times article points out, that didn’t stop X Japan fans from flocking from all over to catch the band’s first ever performance in the U.S. at Lollapalooza.

Well, their dramatic arrival was no small event. Hardcore fans, which were easiy picked out with their X Japan merch and paraphernalia, and the curious flocked to the massive south side stage for the show, and those who witnessed it were not left disappointed. X Japan’s set was arena metal adrenaline with a few theatrics such as flames from the bottom of the stage thrown in for good measure. Lead singer Toshi was a masterful frontman who riled up the crowd with cliche rock phrases like “Are You Ready To Rock?” in his broken English, but it worked to set the tone for the deafening guitar assault that followed. Actually, deafening might be an understatement as X Japan definitely won the battle for loudest band at Lolapalooza 2010. The bass and drums were more like atomic explosions than thunder and the guitars chugged along without sympathy on takes like “Jade” and “Endless Rain”. But perhaps the best part was how excited the band looked to be playing to such a large crowd for their first American show. They smiled and even took the time to take some pictures of the audience before they exited the stage when their time was up.

http://loudlooppress.com/festivals/lollapalooza-2010-day-three-recap/


Venus Zine also found X Japan to be fine addition to the festival lineup:

If NERVO know how to dance, X Japan know how to rock. The Japanese band that has been performing on and off for nearly 30 years in their home country made their stateside debut to a small crowd of diehard fans who knew the words to just about every song. Dressed in a glam get-up and frequently screaming “Are you ready to rock?” singer Toshi Deyama looked like he continues to be inspired by the American hair metal from the distant year his group formed. By the end of the short six-song set, onlookers were pumping fists and playing air guitar. Whenever prompted, arms were raised and crossed to form an X representing the band’s name. Heavy metal music reminiscent of an age before most festival-goers were born tends not to excite most people, but for the small contingent who are moved by such music, X Japan excited them enough for the rest of us.

http://www.venuszine.com/articles/music/7502/Lollapalooza_2010_X_Japan_makes_their_stateside_debut_Badu_is_just_bad_and_MGMT_bring_out_the_Kids_in_all_of_us


Rhapsody.com thought X Japan rocked:

Who:Once-and-future Japanese metal gods known for their penchant for black leather-clad theatrics and their cult-like following. Recently reunited to attempt a comeback.
Why: What part of the 'Who' wouldn't make you want to go?!
Highlights: A sea of arms crossed in X's raised up on the downbeat of every line of one song: you guys, there was choreography! Also, it was literally 90 degrees and they were all wearing layers of black leather (lead singer Toshi's jacket might have even had FUR on the collar). After announcing their last song at 4:40, the band managed to still go almost to the end of the time slot by spending ten minutes with Toshi bellowing "We Are!" and the crowd responding "X!" (again, with crossed arms raised) over and over. And over.
Verdict: They sound like the Scorpions, X JAPAN ROCKS!!!!

http://blog.rhapsody.com/2010/08/lolla3r.html


CrawDaddy.com appeared suitably impressed by X Japan, but mistook Sugizo for a women:

The initial sparklers, the glass-encased grand piano, and the muscular drummer in a neck Courtesy of X Japanbrace were not surprising sights to the thousands of people who’d weathered the short storm hours before X Japan. Igniting with spouts of fire across the stage, X Japan’s furious tracks captivated a large portion of festival goers on Sunday evening. With record sales topping 20 million—one-sixth of Japan’s population—X Japan had all of the credentials to rupture Lollapalooza: An opera opening, a female violinist, and ‘80s metal-minded ballads that soar across acres. Mangled solos and lyrics like “Your scars are beautiful” jolted their kimono-clad crowd. And the group’s high-frequency violin chords and torrent of piano notes helped the reception of their Japanese song “Kurenai.”

http://www.crawdaddy.com/index.php/2010/08/10/live-show-review-lollapalooza-at-grant-park-chicago/?doing_wp_cron


ABC mentioned X's Lollapalooza performance briefly in a short feature on the band:

Though they've been around since 1982, Japanese rock band X-Japan didn't see much success until 1989 with the release of their album "Blue Blood." After disbanding for a while in the 90s, the group decided to get back together in 2007, and will release their first studio album in 14 years later this year. As of now, the band has sold more than thirty million records and continues to draw thousands of fans everywhere they go. They just performed last weekend at the Lollapalooza music festival in Chicago.

http://abcnews.go.com/WN/slideshow/unknown-world-pop-stars-make-mark-11361678



Other feedback

Yoshiki has claimed that in his eyes, the concert ranks at 99/100:
http://www.musicjapanplus.jp/news/1/5324/x-japan-at-lollapalooza-gets-99100-from-yoshiki-details-on-coming-tour-revealed/

Yoshiki has also had another feature written on him by none other than ABC News:
http://abcnews.go.com/WN/yoshiki-japans-bono-ready-us/story?id=11358722

He also was featured on their entertainment news broadcast:
http://abcnews.go.com/WNT/video/japan-rocks-11370738&tab=9482930&section=1206853&playlist=11370750

The Phoenix New Times also feature an interview with Yoshiki:
http://blogs.phoenixnewtimes.com/uponsun/2010/08/x_japans_yoshiki_on_lollapaloo.php?page=1

Buzz 103.1 Radio also wrote an article regarding X Japan:
http://buzz103.radio.com/2010/08/10/last-fm-trends-x-japan-rocks-lollapalooza/

Also, interestingly enough, the reaction on the official Lollapalooza forum (the same one which was an X Japan flame-fest when the band were announced on the bill) has been full of a lot of people listing the band in their favorite acts of the festival lists. How's that for humble pie? :)

There have been a few off comments, but nothing negative towards their performance as such. A few members claimed they were entertaining for comedy value in that they "outdid spinal-tap".

13
Yoshiki / New Yoshiki LA Times Article
« on: July 24, 2010, 01:26:16 PM »
http://www.latimes.com/entertainment/news/la-ca-yoshiki-20100725,0,3828773.story

Two paragraphs which particularly caught my eye and alarmed me are as follows:

But even while functioning as X Japan's co-founder and chief creative force, Yoshiki is prepared to go it alone. Asked if his band mates are as fired up as he is to win over the West, the drummer-pianist said, "Some of them are, some of them are not."

"I say, 'I'll do it with or without you guys,'" Yoshiki said at his North Hollywood recording studio recently. Attired in bondage trousers and a frilly pirate shirt, with winklepickers on his feet, he recalled leveling a hard question at his X Japan confreres: "'Are you following me or not?'"

14
Taiji / Did Taiji appear on stage at Hide's funeral?
« on: May 04, 2010, 04:36:55 PM »
Sorry if this is a dumb question, but a rumour I heard a while ago which has stayed with me was that, at the request of Hide's mother, Taiji stood on stage with the other members of X Japan whilst Toshi and Yoshiki performed Forever Love.

Having watched the video of said performance many times, it's obvious that Taiji isn't stood on stage beside the rest of the band, but a man wearing sunglasses is stood next to Toshi on the stage with his head bowed and his back turned to the audience. Is this Taiji?

[youtube]
[/youtube]

15
Toshi / Has Toshi's MIXI been removed?
« on: January 26, 2010, 04:23:37 PM »
Posted by a Japanese member on the Toshi Support Facebook page:

Quote
TOSHI's mixi account was closed... somehow...
I couldn't connect to his page... somthing happen...
the Healing world cooporation annouced it
http://www.toshi-official.com/info.pdf
it is awful...Thay show his medical certificate and thay mentioned that he is ill.....

16
Toshi / Toshi support Facebook group
« on: January 18, 2010, 04:33:39 PM »
Sorry if this is the wrong place for this, but I'd like to ask for everyone's help in building up some support for Toshi given his current predicament.

I'm currently in the process of setting up a Facebook group with the intention of gaining a decent following of X Japan and Toshi fans so that we can hopefully set the wheels in motion and co-ordinate some fan events to show our support, similar to the way that BXTE was able to send X Japan the messages of many fans.

If you're interested in helping me drum up some support then please message me, this is something I want to get the whole X Japan community involved in, if possible. Toshi must feel that everything is against him at the moment, showing him that we care could mean everything to him.

I've only just made the group, so it's pretty empty - but please join if you have a facebook account and pass on the word to fellow X Japan and Toshi fans!

http://www.facebook.com/group.php?gid=271970860792

17
General chat / New X Japan JADE Video Details
« on: January 18, 2010, 03:13:38 PM »
I added Dean Karr, director of the video for Jade, on Facebook and noticed he has an extensive collection of high quality behind the scenes pictures with captions from the indoor shoot for Jade. Also, there is a still image from the Electric Cucumber video he did for Zilch with the caption "Hide will make a special appearance in the new video". I can't post images here as you need to be friends with him on Facebook to view his albums, but he's pretty laid back and seems to accept most requests.

Here's what Dean has to say about the video:

Quote
Reunited again, Japan's largest rock band came to me to direct their first video in ten years! Two long and crazy days are going to turn into a Japanese music video history! I am confident this will initiate more workload from the far East. My crew was amazing as always-THANK YOU. The 100 year old sprinkler system in the theatre went off accidentally in the bedroom scene (thank god I got my last shots), douching everyone with ancient sewer water which had been stuck in the pipes ever since the system was put in the theatre-it REEKED! After an hour the fire dept showed up and shut it off. Toshi, Yoshiki, Pata, Heath and Sugizo ripped so damn hard on their performances! We have a special guest appearance in the video by fallen band member and dear friend hide, fans won't believe what they are about to see! I should have a cut of this epic video within the next couple weeks. Please read the L.A. Weekly article, it's got lots of behind the scenes photos also http://blogs.laweekly.com/westcoastsound/synthful/exclusive-behind-the-scenes-x/

18
Toshi / T-Earth Europe tour?
« on: August 03, 2009, 02:39:42 PM »
Toshi's latest blog talks about T-Earth's future and the new album, but also states that he believes T-Earth is becoming more popular in Europe, especially Great Britian, where he hopes to tour.

http://community.livejournal.com/toshi_blog

Now, being English and being a Toshi fan, and also frequenting a lot of nightclubs I can honestly say I have never heard Toshi with T-Earth being played or mentioned. In the media I've never heard a word about him or his band - so I'm really not sure where he is sourcing this information from.

But either way, if it makes him come over here, I'm not complaining!  8)

19
Other Bands / Muse's new Album
« on: July 20, 2009, 11:50:33 AM »
Anyone else really pumped for this?

They are releasing snippets of their new song, "United States of Eurasia" one by one, today the final piece is due out - but for now, here is what has been released so far:



It's like a mixture between Muse and Queen, it's typical Matt Bellamy song writing with a beautifully elabourate orchestral arrangement, but there are definate hints of Queen thrown in there.

20
Heath / Heath quits?
« on: April 19, 2009, 10:12:40 PM »


According to Sanspo, Heath has quit. Another bassist will play at the Tokyo Dome on May 3rd and 4th.

Thanks to X Radical Dreamers for bringing this RUMOUR to my attention.

 :'(

21
Yoshiki / REPO UK TV advert
« on: March 11, 2009, 11:19:32 PM »
To my supprise an advert for the release of REPO on DVD was aired tonight on Sky Sports 2 while I was watching the Man Utd vs Inter Milan Champions League game. Although it's not very much, it was cool to hear music produced by Yoshiki being played on TV for once, even in such a small capacity :p

22
Toshi with T-EARTH / New T-Earth Song
« on: October 24, 2008, 02:07:30 PM »
http://www.myspace.com/toshiwithtearth

It sounds better than anything else Masaya has written for Toshi thus far in my opinion, check it.

23
General chat / X Japan in Global Metal
« on: October 19, 2008, 12:13:57 PM »
Has anyone else seen the film yet?

For those who are interested, there is around 5 minutes of the film dedicated to Visual Kei, around 2 of those 5 are entirely focussed on X Japan. The segment in question is narrated by Marty Friedman, who talks about X Japan and their history in the Japanese music scene (he also points out that X Japan was one the first bands which attracted him to Japanese music). There is a VERY short clip of Yoshiki being interviewed, which looks like it has been cut and mashed together from a much longer conversation. Yoshiki just explains that X Japan were "the black sheep of the family in Japanese music who nobody wanted to interview or feature, but then we sold 20 million records so people had to start to take notice of us".

The segment focussed on X Japan shows some footage of the band playing live from the "Rose and Blood tour" and then a clip from "Art of Live Life"

24
Yoshiki / Yoshiki and HTML
« on: September 16, 2008, 03:53:49 AM »
At least he tries :p

http://www.myspace.com/violetuk < Check out the 'band members' section on the profile - it looks like he has tried to change the page background colour... and failed. At least he got the hex code right, though.  ;D

25
Forum Games / Subtitle the bollywood film game!
« on: August 07, 2008, 05:04:14 PM »
My friend recently showed me http://www.grapheine.com/bombaytv/index.php, a website where you can put your own subtitles on clips of Bollywood movies - so of course here comes the inevitable topic: Make you're own and share it with the other X Freaks!

Here is a few that I made earlier: (if they don't work at first refresh a few times - and also, my humour may not be regarded as 'funny' by some viewers, so just as a disclaimer: This is not meant to offend anyone!)

1)http://www.grapheine.com/bombaytv/index.php?module=see&lang=uk&code=6210f46390a8be26cfcc60d1199d6404

2)http://www.grapheine.com/bombaytv/index.php?module=see&lang=uk&code=698237e84406b48aa4c78c4ac142cb95

3)http://www.grapheine.com/bombaytv/index.php?module=see&lang=uk&code=1621e08cbc0bba2a37e54f9f0a8d6cbc

4)http://www.grapheine.com/bombaytv/index.php?module=see&lang=uk&code=54c3376a974022f087502a48cf8864cd

5)http://www.grapheine.com/bombaytv/index.php?module=see&lang=uk&code=bba643fe8531d7312305a46868b92aec

--Here's one my friend made, which I found funny---
6)http://www.grapheine.com/bombaytv/index.php?module=see&lang=uk&code=403015854b6c069745f52ddd5add008a


And yes, before you ask. I WAS bored today  :D

26
hide / The best thing ever!
« on: August 06, 2008, 07:05:21 PM »
[youtube]http://www.youtube.com/watch?v=8YU9TheU9Vo[/youtube]

This is the coolest thing I've ever seen!

27
Wikipedia / WTF?
« on: July 27, 2008, 01:58:57 PM »
Anyone who has visited Yoshiki's myspace recently will probably realise that his date of birth is no longer listed on the page, and his age is now written as being "42 - 43" - the reason being that one of Yoshiki's 'deputies' in Japan as been sparking 'edit wars' removing Yoshiki's actual date of birth on an apparent order from Yoshiki himself stating that he believes the listing of his birth date constitutes as an invasion of privacy.

Three words: What the fizzuck?

Since when has Wikipedia constituted as the personal vanity website of a celebrity? I though it was supposed to be an objective, unbiased and untwisted source of concise information - what right does Yoshiki have to insist that such a small detail such as his birth date be non-disclosed? He may be sensitive about his age, I can understand that, but what good will forcing his fans and the Wikipedians to not disclose it actually do? Considering that his birth date is public knowledge anyway, it seems like an extremely bizzare step to make.

The Wikipedians have managed to reach a compromise in that they add a vague "42 - 43" in respect to his age, but to me it seems like an extremely bizzare situation to occur.

If Yoshiki can complain and have his date of birth removed then surely it opens up the door for celebrities, companies and individuals to force Wikipedia to remove information about them which they don't want to be public knowledge such as personal problems and scandals - and that just sucks.

28
Dope Headz / Jo:YA or Shame?
« on: July 22, 2008, 10:07:27 PM »
*In a booming thespian-like like voice* Jo:YA or Shame? That is the question!

Which vocalist do you feel was the superior? Just incase people need to be reminded - Jo:YA was the original band vocalist on the album "Primitive Impulse" and Shame stepped in after Jo:YA's departure on their second album "Planet of the Dope" and the subsequent live activity before the band went on an "indefinate hiatus" (they disbanded XD).

Go forth and vote! This forum needs more Dope Headzness!

29
X JAPAN World Tour / X Japan in France flyer :?:
« on: July 09, 2008, 06:01:32 PM »
Looky what I found:

http://img61.imageshack.us/img61/1966/xjapanparissy0.jpg

all images are posted by the second degree of the shadow proclamation and are therefore being used legitimately in accord with the decree of Rassilon and the high council of the Time Lords. Any Dalek or Cyberman infringement on this legislation will be regarded as an act of war and therefore will be dealt with under article seven of the universal grand charter.

 :wink:

30
According to a promoter who helped get the recent Miyavi show organised in the UK the X Japan London show will go ahead at the 10 thousand capacity Wembley Arena on September 27th. The show will be officially announced on Saturday at the Japan Expo is Paris.

The promoter herself has also added the show to the Last FM concert calendar which can be seen here: http://www.last.fm/event/681340

Please don't take this as a 100% certain fact, but also please don't delete it and tell me to wait for it to be official. The promoter was involved in the process, so for now I think that her "on the record" say-so is good enough to be at least allowed on this forum.

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