I think the thing that bothers me about VV's cover is that they're messing with her boobs. I mean, if they just HAVE to show a bloody X cut into a woman, I'd at least rather it's on her back or something. Boobs are beautiful, man... be kind to boobs!
And I really don't mind sunglasses. I actually wear sunglasses at night, but being Italian, I have an excuse for it at least.
(Hahaha, what's this about Yoshiki's whistle-moaning? What song is that in?)
It was about Egyptian mythology and eyeball licking.
You, my friend, win the internet.
Why thank you. :twisted:
About the Yoshiki genius thing, I agree with you on some points but disagree on others. Frankly I'm not musically "educated" enough to even know whether he's the best composer ever or something, but I don't bother with stuff like that anyway-- I don't know if he's the greatest, but I know what I like. So for me personally, I wouldn't mind calling him a "genius" in the sense that he wrote a lot of my favorite songs (and of course I consider those songs to be works of genius, or they wouldn't be my favorites
). But is he a god? Hell no! Do I love everything he's ever done and every choice he's ever made with X? Hell no! For me he's just a really interesting guy who writes
really kickass songs. Though I personally will rarely listen to his ballads by choice. They're beautiful songs and all that, but I don't much listen to "beautiful songs", I prefer rock.
And I LOVE his epic high drama thing! Absolutely, it's completely over-the-top to the point that it at times borders on camp-- but that's why I love it. It's like Shakespeare meets Meat Loaf. It's like Yoshiki was consciously trying to reach the absolute highest level of drama humanly possible, and I personally see his whole public persona as a kind of performance art. The princess costumes, the banging on the piano keys, the multiorgasmic death-sex drum solos... to me that's all part of it. And while there are times I can't help but laugh about some of his English lyrics, the weirdest part of it all is that, for me at least, when you hear those songs-- they work. I really do find them somehow transcendental. You hear that stuff performed and it's like an apocalyptic, balls-to-the-wall celebration of pain, death, sex, love-- and ultimately, of life.
And that's why I don't like the absence of sex and violence in Dahlia. I guess it's more mature, but it's so much less alive. For me X was about the extremes of life and they don't reach nearly those highs and lows in Dahlia.